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Language of the Masters
Sheetmusic to print
20 sheet music found
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1
Language of the Masters
Language of the Masters
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Music Theory
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#
Michael Spiro
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downloadable audio
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Language of the Masters
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Sher Music Company
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SheetMusicPlus
Composed by Michael Spiro. Jazz. Method Book & downloadable audio. 122 pages. Sher Music Company #202. Published by Sher Music Company...
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Composed by Michael Spiro. Jazz. Method Book & downloadable audio. 122 pages. Sher Music Company #202. Published by Sher Music Company
$26.00 ≈
23.28€
Guthrie: In the Bleak Midwinter for String Quartet
Guthrie: In the Bleak Midwinter for String Quartet
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String Quartet: 2 violins, viola, cello
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EASY
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Traditional
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James M
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Guthrie: In the Bleak Midwinte
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1496962 Composed by Traditional. Arranged by James M. Guthrie. Cham...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1496962 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 9 pages. Jmsgu3 #1073376. Published by jmsgu3 (A0.1496962). In the Bleak Midwinter is an essential and beloved Christmas carol with several notable aspects.Origins and AuthorshipThe carol originated as a poem titled A Christmas Carol, written by Christina Rossetti, a prominent English poet, in 1872. Rossetti was known for combining deep Christian faith with rich artistic sensibility in her works. Musical SettingsThe poem was set to music multiple times, with two versions becoming particularly popular: Gustav Holst's hymn tune Cranham in 1906, which is more straightforward and suitable for congregational singing. Harold Darke's more complex choral setting from 1911 was named the best Christmas carol in a 2008 poll of choirmasters and choral experts.Poetic and Theological SignificanceThe carol is notable for its stark imagery, contrasting the harsh winter landscape with the divine incarnation—the paradoxical juxtaposition of earthly elements with the ineffable nature of Christ's birth. Profound theological insights are conveyed through simple language—reflection on the meaning of gift-giving about Christ's birth.Cultural ImpactIn the Bleak Midwinter has become a beloved part of Christmas traditions. Choirs perform it widely, and various artists record it.Many music experts consider The carol one of the greatest Christmas songs. Its imagery and themes have inspired reflection on rest, renewal, and the deeper meaning of the winter season. The enduring popularity of In the Bleak Midwinter stems from its beautiful blend of evocative poetry, rich theological content, and dynamic musical settings, making it a cherished part of Christmas celebrations for many.
$32.95 ≈
29.51€
He-man And The Masters Of The Universe
He-man And The Masters Of The Universe
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Piano solo
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INTERMEDIATE
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Contemporary
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Erika Lane, Haim Saban, and Sh
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Hernán D
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He-man And The Masters Of The
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Hernan D. Ramallo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.910191 Composed by Erika Lane, Haim Saban, and Shuki Levy. Arranged by Hernán D. Ramallo. Contemporary...
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Piano Solo - Level 3 - Digital Download SKU: A0.910191 Composed by Erika Lane, Haim Saban, and Shuki Levy. Arranged by Hernán D. Ramallo. Contemporary. Score. 5 pages. Hernan D. Ramallo #5048219. Published by Hernan D. Ramallo (A0.910191). This is a piano reduction of He-Man and The Masters of the Universe, written by Haim Saban, Shuki Levy, and Erika Lane. The song is the opening theme of the series, aired for the first time on 1983. For the spanish-language version of the show, the song features a vocal line with full lyrics -unique to this version-, written by chilean singer Memo Aguirre (a.k.a. Captain Memo) Duration: 1'25''Difficulty: Early Intermediate.
$4.99 ≈
4.47€
A Great Hit! They're After Me. Song
A Great Hit! They're After Me. Song
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Piano, Voice
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George Cooper
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A Great Hit! They're After Me.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.5811 Composed by George Cooper. Vanity, Zoos, Monkeys, Central Park, Presidents, Postmasters. Lester S. Levy C...
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Piano and voice - Digital Download SKU: LV.5811 Composed by George Cooper. Vanity, Zoos, Monkeys, Central Park, Presidents, Postmasters. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5811). A Great Hit! They're After Me. Song. by George Cooper. Published 1890 by Richard A. Saalfield, 41 Union Square, S.W. Cor. 37th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Vanity, Zoos, Monkeys, Central Park, Presidents, Postmasters. First line reads I am a very useful man, as ev'rybody knows.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.36€
The Louisville & Nashville R.R. March
The Louisville & Nashville R.R. March
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Piano solo
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Phil
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The Louisville & Nashville R.R
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - Digital Download SKU: LV.19253 Composed by Phil. Menoli. Bandmasters--women, Railroads. Lester S. Levy Collection. 4 pages. Published by Johns Ho...
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Piano - Digital Download SKU: LV.19253 Composed by Phil. Menoli. Bandmasters--women, Railroads. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19253). The L[ouisville] & N[ashville R.R.] March. Composed by Phil. Memoli, Birmingham, Ala. Published [n.d.] by in n.p. Composition of sectional with piano instrumentation. Subject headings for this piece include Bandmasters--women, Railroads. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.36€
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
9.81€
Personalizing Jazz Vocabulary
Personalizing Jazz Vocabulary
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Musical course - Solfege
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Davy Mooney
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Personalizing Jazz Vocabulary
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Theory and reference - other - Intermediate-Advanced - Digital Download Composed by Davy Mooney. Jazz and Contemporary. E-book and online audio. Mel Ba...
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Theory and reference - other - Intermediate-Advanced - Digital Download Composed by Davy Mooney. Jazz and Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30786MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119345.
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it.In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition.Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, ayou can do it too.aWritten in standard notation only. Includes access to online audio.
$17.99 ≈
16.11€
Élégie
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.54€
Firebird, BMI Work #17075594 (Drum Set Part)
Firebird, BMI Work #17075594 (Drum Set Part)
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Jazz combo
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INTERMEDIATE
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Combo - Level 3 - Digital Download SKU: A0.953992 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939...
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Jazz Combo - Level 3 - Digital Download SKU: A0.953992 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939507. Published by BurnettPublishing.COM (A0.953992). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99 ≈
3.57€
Firebird, BMI Work #17075594 (Piano Part)
Firebird, BMI Work #17075594 (Piano Part)
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Jazz Ensemble
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INTERMEDIATE
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953988 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPub...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953988 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939503. Published by BurnettPublishing.COM (A0.953988). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99 ≈
3.57€
Firebird, BMI Work #17075594 (Alto Saxophone Part)
Firebird, BMI Work #17075594 (Alto Saxophone Part)
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Jazz Ensemble
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INTERMEDIATE
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953987 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPub...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953987 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPublishing.COM #1939501. Published by BurnettPublishing.COM (A0.953987). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99 ≈
3.57€
Firebird, BMI Work #17075594 (Bass Part)
Firebird, BMI Work #17075594 (Bass Part)
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Jazz combo
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INTERMEDIATE
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Combo - Level 3 - Digital Download SKU: A0.953990 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 3 pages. BurnettPublishing.COM #1939...
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Jazz Combo - Level 3 - Digital Download SKU: A0.953990 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 3 pages. BurnettPublishing.COM #1939505. Published by BurnettPublishing.COM (A0.953990). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99 ≈
3.57€
Firebird, BMI Work #17075594 (Flute Parts)
Firebird, BMI Work #17075594 (Flute Parts)
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Jazz combo
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INTERMEDIATE
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Combo - Level 3 - Digital Download SKU: A0.953985 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPublishing.COM #1939...
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Jazz Combo - Level 3 - Digital Download SKU: A0.953985 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPublishing.COM #1939499. Published by BurnettPublishing.COM (A0.953985). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99 ≈
3.57€
Ode to Erich Wolfgang Korngold for Solo Piano
Ode to Erich Wolfgang Korngold for Solo Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Wikus van der Hoven
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Ode to Erich Wolfgang Korngold
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Van Masters
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1030441 Composed by Wikus van der Hoven. Contemporary,Romantic Period. Score. 8 pages. Van Masters #63039...
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Piano Solo - Level 4 - Digital Download SKU: A0.1030441 Composed by Wikus van der Hoven. Contemporary,Romantic Period. Score. 8 pages. Van Masters #6303903. Published by Van Masters (A0.1030441). Romantic work for solo piano using the harmonic language of the great film composer Erich Wolfgang Korngold. Difficulty: 7/10
$5.99 ≈
5.36€
Two Songs for Solo Trumpet
Two Songs for Solo Trumpet
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Trumpet
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ADVANCED
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Blues
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Jazz
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Alan Matheson
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Two Songs for Solo Trumpet
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Gordon Cherry
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SheetMusicPlus
Trumpet Solo - Level 5 - Digital Download SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Publish...
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Published by Gordon Cherry (A0.1047904). Two Songs for Solo Trumpet by Alan Matheson are tributes to great jazz artists who are inspirations to him; Bix Beiderbecke and Woody Shaw. Here is a summary of the composer's own words about these two outstanding movements: The first song For Bix Beiderbecke is a blues-based, elegiac salute to one of the first lyrical jazz brass players who also created a unique musical language in his short life by combining his love of jazz (especially that of Louis Armstrong) with his interest in the music of the Impressionists such as Debussy and Ravel. The second song For Woody Shaw pays a tribute to one of the masters of modern-jazz playing. In his compositions and improvisations, Shaw was very fond of using large intervals (such as minor and major 7ths) along with melodic lines based on the perfect 4th. I have included this sound in the melodic lines of this movement along with some hybrid scales to reflect Woody Shaw's harmonic adventurousness. These two songs total about 5 minutes in length and are appropriate for advanced performers.
$17.50 ≈
15.67€
Impromptu Fugue, Opus 776
Impromptu Fugue, Opus 776
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Piano solo
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Carl Czerny
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Impromptu Fugue, Opus 776
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Bisel Classics - Digital
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SheetMusicPlus
Piano solo - Digital Download SKU: BQ.979-0-50179-119-4 Composed by Carl Czerny. Edited by Nicolas Di Paolo. This edition: softcover. Bisel Classics. Sco...
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Piano solo - Digital Download SKU: BQ.979-0-50179-119-4 Composed by Carl Czerny. Edited by Nicolas Di Paolo. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 776. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-119-4). ISBN 9790501791194.Although remembered chiefly as the father of modern piano technique established through his pioneering studies and published methods, Czerny began studying the past masters from a very young age. This newly edited and engraved Impromptu Fugue provides a lively contemporary homage to the ancient composers with a piece in the Baroque style that takes in the brilliant art of fugue. A masterful study from one of the most accomplished and important composers of the early 19 century.
$12.95 ≈
11.60€
10 easy major II-V-I Chet Baker licks in 12 keys - Bass clef
10 easy major II-V-I Chet Baker licks in 12 keys - Bass clef
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Darren Lloyd
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10 easy major II-V-I Chet Bake
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Darren Lloyd
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SheetMusicPlus
Small Ensemble Bass Guitar,Cello,Double Bass,Trombone,Tuba,Voice - Level 3 - Digital Download SKU: A0.856093 Composed by Darren Lloyd. Instructional,Jazz...
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Small Ensemble Bass Guitar,Cello,Double Bass,Trombone,Tuba,Voice - Level 3 - Digital Download SKU: A0.856093 Composed by Darren Lloyd. Instructional,Jazz. Score and parts. 14 pages. Darren Lloyd #5754547. Published by Darren Lloyd (A0.856093). 10 easy major II-V-I Chet Baker licks in 12 keys - Bass clef, has been created to help musicians wanting to develop their jazz language abilities. It has long been recognised the benefits of copying the great jazz masters! Even Clark Terry said ‘It’s ok to be a copy cat as long as you copy the right cat’! Well, Chet Baker is definitely the right cat in this case, with 10 easy to play and remember II-V-I licks in major keys to master. This book is a great introduction into the wonderful world of improvising. Aimed at intermediate players. The book also has a guide on how to use the book most effectively.
$4.99 ≈
4.47€
10 easy minor II-V-I licks Chet Baker in 12 keys - Bass clef
10 easy minor II-V-I licks Chet Baker in 12 keys - Bass clef
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Darren Lloyd
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10 easy minor II-V-I licks Che
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Darren Lloyd
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SheetMusicPlus
Small Ensemble Bass Guitar,Cello,Double Bass,Low Voice,Trombone - Level 3 - Digital Download SKU: A0.856092 Composed by Darren Lloyd. Instructional,Jazz....
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Small Ensemble Bass Guitar,Cello,Double Bass,Low Voice,Trombone - Level 3 - Digital Download SKU: A0.856092 Composed by Darren Lloyd. Instructional,Jazz. Score and parts. 14 pages. Darren Lloyd #5754551. Published by Darren Lloyd (A0.856092). 10 easy minor II-V-I licks Chet Baker in 12 keys - Bass clef has been created to help musicians wanting to develop their jazz language abilities. It has long been recognised the benefits of copying the great jazz masters! Even Clark Terry said ‘It’s ok to be a copy cat as long as you copy the right cat’! Well, Chet Baker is definitely the right cat in this case, with 10 easy to play and remember II-V-I licks in minor keys to master. This book is a great introduction into the wonderful world of improvising. Aimed at intermediate players. The book also has a guide on how to use the book most effectively.
$4.99 ≈
4.47€
10 easy minor II-V-I licks Chet Baker in 12 keys - Treble clef
10 easy minor II-V-I licks Chet Baker in 12 keys - Treble clef
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Darren Lloyd
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10 easy minor II-V-I licks Che
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Darren Lloyd
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Euphonium,Flute,Guitar,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 3 ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Euphonium,Flute,Guitar,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 3 - Digital Download SKU: A0.856096 Composed by Darren Lloyd. Instructional,Jazz. Score and parts. 14 pages. Darren Lloyd #5754553. Published by Darren Lloyd (A0.856096). 10 easy minor II-V-I licks Chet Baker in 12 keys - Treble clef has been created to help musicians wanting to develop their jazz language abilities. It has long been recognised the benefits of copying the great jazz masters! Even Clark Terry said ‘It’s ok to be a copy cat as long as you copy the right cat’! Well, Chet Baker is definitely the right cat in this case, with 10 easy to play and remember II-V-I licks in minor keys to master. This book is a great introduction into the wonderful world of improvising. Aimed at intermediate players. The book also has a guide on how to use the book most effectively.
$4.99 ≈
4.47€
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Language of the Masters
